Board of Directors
As of October 1, 2022
Leslie Garrett, President
Vicki Kreimeyer, Vice-President
Lynne Mattison, Treasurer
Victoria Sunderland, Secretary
Laura C. Simic
Mark Junkert, Ex-Officio
Effie Kaufman, Emeritus
Esther Simplot, Emeritus
Doug Zimmerman, Emeritus
Fund Development Chair
Carol MacGregor, PhD
Jeffrey L. Smith
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Mark joined Opera Idaho as Executive Director in 2008 and was named General Director in 2011. He came from New York City and Minneapolis/St. Paul, Minnesota. In St. Paul, he was Managing Director of Skylark Opera. Concurrently, he served as Executive Director of the Martina Arroyo Foundation, a New York-based organization dedicated to training young opera singers. A native of Minnesota, Mark studied voice and opera in the Graduate School of Music at the University of Illinois, Champaign-Urbana, studying with William Warfield. He received a bachelor’s degree in vocal performance from the University of Denver. At Opera Idaho he has directed productions of Werther, Pagliacci, Hansel and Gretel and Amahl and the Night Visitors. He has served as a judge for the Metropolitan Opera National Council District Auditions in Pocatello and Spokane, as well as for the Sun Valley Opera Vocal Competition in Seattle. Mark has lectured extensively for The Osher Institute at Boise State University, the Boise City Department of Arts & History, various area clubs and libraries, and before Met–Live in HD broadcasts and every Opera Idaho opera. Mark was awarded the 2020 Governor’s Arts Award for Excellence in Arts Management.
Cecilia Violetta López
Known to Opera Idaho audiences primarily through her appearances in operas over the last six-plus years, Cecilia takes on added responsibilities to advise and advocate for expanded repertoire, provide insights on diversity in artistic practices and community initiatives, and collaborate with senior management in identifying and securing financial support for the company. The position also solidifies performance possibilities into the future.
Cecilia, soprano, made her Opera Idaho debut as Gilda in Rigoletto, 2014. With Opera Idaho she performed her signature role of Violetta in La Traviata, 2016; appeared as Hannah Glawari in The Merry Widow, 2021; and debuted in the title role in Manon, 2019; Maria in West Side Story in Concert, 2018; and Adina in L’elisir d’amore, 2017.
Cecilia, a Mexican-American native of Rupert, Idaho, got her musical start at a young age singing mariachi music that she learned from her mother. She earned a Bachelor of Music degree (vocal performance) from the University of Nevada, Las Vegas in 2011. She has received accolades for her performances from The New York Times, The Washington Post, has been featured on NPR, Idaho Public Television, Univision and Telemundo, and many other news outlets across the country. She has become a voice for her art form and constantly shares the story of her Idahoan roots, humble upbringing, hard work and career’s trajectory. She is now on the artist roster of the Metropolitan Opera, has sung at Carnegie Hall, she has an exhibit at the Idaho State Museum and an additional exhibit at the Minidoka County Historical Society Museum in her hometown of Rupert. USA Today named Cecilia one of Idaho’s Top 10 Most Influential Women of the Century. Cecilia is also the recipient of an Idaho State Concurrent Resolution honoring her life as an Idahoan and her work in the world of opera.
Opera News has named Cecilia Violetta López one of opera’s “25 Rising Stars.” The singing actress is constantly praised for her “alluring voice and incredible range” (Washington Times). She has received accolades for her signature role of Violetta in La traviata, which she has performed countless times throughout North America. Critic, James Jorden, exclaimed “she is a Violetta fully-formed and, I think, ready for the great stages of the world.” She has now performed the role with Minnesota Opera, Opera Colorado, Opera Tampa, Ash Lawn Opera, and Virginia Opera. Cecilia made her European début as Norina in Don Pasquale with Zomeropera in Belgium, for which Klassiek Centraal exclaimed: “She turns out to be the revelation of the show and wins over the audience with her funny rendition, irresistible charm, and [she is] natural in the different vocals.”
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Director of Children’s Choruses
Director of Critical Mass Vocal Artists
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New Artistic Advisor: Cecilia Violetta López
In January 2021 Opera Idaho welcomed Cecilia Violetta López as Opera Idaho’s first Artistic Advisor. Known to Opera Idaho audiences primarily through her appearances in operas over the last six-plus years, Cecilia takes on added responsibilities to advise and advocate for expanded repertoire, provide insights on diversity in artistic practices and community initiatives, and collaborate with senior management in identifying and securing financial support for the company. The position also solidifies performance possibilities into the future.
Cecilia will work closely with General Director Mark Junkert in helping shape the future of Opera Idaho. “When I think of someone, active in the field as a performer who both knows what’s happening in the field nationally and internationally and knows our state, Cecilia is the perfect fit for the position,” Mark says. “Many opera companies have similar positions, and it is a sign of Opera Idaho’s growth that we’re able at this point in our history to add an Artistic Advisor.”
“Being a part of the Opera Idaho family as the Artistic Advisor is an incredible honor. Opera Idaho was the first professional opera company I auditioned for. It has played important part in my career’s trajectory as Mr. Junkert has given me opportunities to sing roles that I wouldn’t have been able to perform anywhere else. Opera Idaho supporters have seen me grow as a performer, a mother, a woman, and have been by my side rooting for me (along with my family who still lives in Rupert) with every accolade that I’ve received. I refer to Opera Idaho as my family because that’s what Opera Idaho is to me: my family. As an Idahoan who started working in the fields in little Rupert and found her opera voice later on in life, this position feels like I have not only reached another milestone in my career, but it’s like I made another full-circle moment for me; taking into account that day in August 2011 when I nervously walked into the Opera Idaho offices getting ready to audition for Mr. Junkert. In a way, I’m ‘coming home.’ It is truly humbling to be a part of the company that has supported me through so much. I couldn’t be more thrilled, eager and hungry to give back to Opera Idaho and help find ways to make it thrive and continue to grow.
“As in Opera Idaho’s tag line ‘it’s the voices,’ not only has the company shared my voice with the world in more ways than one; Opera Idaho has helped me find my own.” – Cecilia