La bohème
One of Opera’s Greatest Love Stories
Composer
Giacomo Puccini
Librettist
Giuseppe Giacosta
Luigi Illica
First performance
February 1, 1896, Teatro Regio, Turin, Italy
Run time
Approximately 2 hrs 45 min
including two intermissions
Sung in Italian
English captions projected above the stage
Date
Friday, April 30, 7:30 pm
Sunday, May 2, 2:30 pm
Venue
The Egyptian Theatre
700 W Main St, Boise
Doors open
6:00 pm (Apr 30) | 1:00 pm (May 2)
Center Stage with Stacey
6:30 pm (Apr 30) | 1:30 pm (May 2)
Ticket Prices
Adult: $41 to $132
Senior: $33 to $119
Youth: $29 to $87
Military discount available
Groups
Save 20% on groups of 10 or more. Contact the box office at 208-345-3531.
All tickets show the “all-in” price, fees and tax included.
About the Show
Before there was rent to pay, careers to build, and responsibilities to shoulder, there were dreams.
A group of young artists shares a tiny apartment, scraping together enough to survive while chasing the lives they imagine for themselves. Their days are filled with laughter, friendship, and the kind of optimism that only comes from believing tomorrow will somehow be better than today.
Then, on a cold winter evening, a chance encounter changes everything.
As love blossoms between Rodolfo and Mimì, life begins to unfold in ways neither could have imagined. Together with their close knit circle of friends, they celebrate life’s joyful moments, weather its disappointments, and discover that growing up often means facing the moments we wish we could hold onto forever.
Filled with some of the most beautiful and recognizable music ever written, La bohème captures the excitement of first love, the comfort of chosen family, and the bittersweet realization that even the happiest moments cannot last forever.
Part of Opera Idaho’s Unraveled season, La bohème reminds us that life rarely follows the path we expect. Dreams evolve, relationships change, and time quietly transforms us all. Yet it is often those fleeting moments of love, laughter, and friendship that leave the deepest mark.
Whether you’re experiencing La bohème for the first time or returning to one of opera’s greatest masterpieces, its warmth, humor, and heartbreaking humanity continue to resonate with audiences around the world.
About the Composer
Giacomo Puccini (1858–1924) is widely regarded as one of history’s greatest opera composers, celebrated for creating deeply human stories filled with unforgettable melodies. While earlier operas often centered on royalty, mythology, or larger than life heroes, Puccini found extraordinary drama in the lives of ordinary people. Love, hope, sacrifice, and heartbreak became the heart of his music, helping define the verismo movement and making his operas enduring favorites around the world.
Born into a family of musicians in Lucca, Italy, Puccini seemed destined for a musical career. As a young man, however, it was attending a performance of Verdi’s Aida that convinced him his future belonged not in the church, but on the operatic stage. After studying in Milan, he found success with Manon Lescaut before composing three of the most beloved operas ever written: La bohème, Tosca, and Madama Butterfly.
La bohème almost never belonged to Puccini alone. At the same time he began adapting Henri Murger’s Scènes de la vie de bohème, fellow composer Ruggero Leoncavallo was working on the very same story. The resulting rivalry became one of opera’s most famous, with both composers premiering their own versions just a year apart. While Puccini’s version ultimately became the more frequently performed work, the two operas remain fascinating companions, each offering a unique perspective on Murger’s beloved tale.
More than a century after its premiere, La bohème continues to resonate because of Puccini’s extraordinary gift for capturing life’s simplest moments and transforming them into timeless music.
Synopsis (spoilers)
Act I
Paris, in the 1830s. In their Latin Quarter garret, the near-destitute artist Marcello and poet Rodolfo try to keep warm on Christmas Eve by feeding the stove with pages from Rodolfo’s latest drama. They are soon joined by their roommates—Colline, a philosopher, and Schaunard, a musician, who brings food, fuel, and funds he has collected from an eccentric nobleman. While they celebrate their unexpected fortune, the landlord, Benoit, comes to collect the rent. After getting the older man drunk, the friends urge him to tell of his flirtations, then throw him out in mock indignation at his infidelity to his wife. As the others depart to revel at the Café Momus, Rodolfo remains behind to finish an article, promising to join them later. There is another knock at the door—the visitor is Mimì, a pretty neighbor, whose candle has gone out in the stairwell. As she enters the room, she suddenly feels faint. Rodolfo gives her a sip of wine, then helps her to the door and relights her candle. Mimì realizes that she lost her key when she fainted, and as the two search for it, both candles go out. Rodolfo finds the key and slips it into his pocket. In the moonlight, he takes Mimì’s hand and tells her about his dreams. She recounts her life alone in a lofty garret, embroidering flowers and waiting for the spring. Rodolfo’s friends call from outside, telling him to join them. He responds that he is not alone and will be along shortly. Happy to have found each other, Mimì and Rodolfo leave, arm in arm, for the café.
Act II
Amid the shouts of street hawkers near the Café Momus, Rodolfo buys Mimì a bonnet and introduces her to his friends. They all sit down and order supper. The toy vendor Parpignol passes by, besieged by children. Marcello’s former sweetheart, Musetta, makes a noisy entrance on the arm of the elderly, but wealthy, Alcindoro. The ensuing tumult reaches its peak when, trying to gain Marcello’s attention, she loudly sings the praises of her own popularity. Sending Alcindoro away to buy her a new pair of shoes, Musetta finally falls into Marcello’s arms. Soldiers march by the café, and as the bohemians fall in behind, the returning Alcindoro is presented with the check.
Act III
At dawn at the Barrière d’Enfer, a toll-gate on the edge of Paris, a customs official admits farm women to the city. Guests are heard drinking and singing within a tavern. Mimì arrives, searching for the place where Marcello and Musetta now live. When the painter appears, she tells him of her distress over Rodolfo’s incessant jealousy. She says she believes it is best that they part. As Rodolfo emerges from the tavern, Mimì hides nearby. Rodolfo tells Marcello that he wants to separate from Mimì, blaming her flirtatiousness. Pressed for the real reason, he breaks down, saying that her illness can only grow worse in the poverty they share. Overcome with emotion, Mimì comes forward to say goodbye to her lover. Marcello runs back into the tavern upon hearing Musetta’s laughter. While Mimì and Rodolfo recall past happiness, Marcello returns with Musetta, quarreling about her flirting with a customer. They hurl insults at each other and part, but Mimì and Rodolfo decide to remain together until springtime.
Act IV
Months later in the garret, Rodolfo and Marcello, now separated from their girlfriends, reflect on their loneliness. Colline and Schaunard bring a meager meal. To lighten their spirits, the four stage a dance, which turns into a mock duel. At the height of the hilarity, Musetta bursts in with news that Mimì is outside, too weak to come upstairs. As Rodolfo runs to her aid, Musetta relates how Mimì begged to be taken to Rodolfo to die. She is made as comfortable as possible, while Musetta asks Marcello to sell her earrings for medicine and Colline goes off to pawn his overcoat. Left alone, Mimì and Rodolfo recall their meeting and their first happy days, but she is seized with violent coughing. When the others return, Musetta gives Mimì a muff to warm her hands, and Mimì slowly drifts into unconsciousness. Musetta prays for Mimì, but it is too late. The friends realize that she is dead, and Rodolfo collapses in despair.