Please Note: This show features mature themes such as sexuality, religious extremism, and spiritual conflict.

Music by Jules Massenet • French libretto by Louis Gallet
Based on the novel of the same name by Anatole France

Friday, March 27, 2026 • 7:30 PM
Sunday, March 29, 2026 • 2:30 PM

The Egyptian Theatre

Sung in French with English supertitles.
Run Time: 2 hours and 45 minutes, including intermission.

Enhance your experience: Join us at Thaïs’s Operatini, our Pre-Performance Dinner, or Center Stage with Stacey. Click here to learn more!

The Story

Seductive, searching, and emotionally charged, Thaïs is a story of transformation told through longing, conviction, and the dangerous certainty of believing you know what is best for another soul. 

Set in ancient Alexandria, the opera centers on Thaïs, a celebrated courtesan whose beauty and charisma have made her both idolized and infamous. Her world is one of admiration and excess—but beneath the surface, cracks are beginning to show. Time, doubt, and the fear of emptiness linger just beyond the glow of the spotlight.

Into this world steps Athanaël, a monk from the desert, fiercely devoted to his faith and haunted by his own past. Convinced that Thaïs represents everything corrupt about the city, he sets out to confront her. What he believes is a mission of salvation quickly becomes something far more personal.

As Thaïs and Athanaël collide, the opera unfolds as a psychological duel. Thaïs begins to question whether admiration can offer meaning or permanence, while Athanaël’s rigid certainty is slowly undermined by emotions he refuses to name. Their choices draw them farther from Alexandria’s glittering streets and into the unforgiving desert stillness, where certainty begins to unravel.

Massenet’s lush and evocative score mirrors this inner struggle at every turn. The orchestra glows with sensual warmth and aching restraint, most famously in the radiant Méditation—a moment of stillness that captures the opera’s emotional core without a single word.

By the final act, Thaïs reveals itself not as a simple tale of sin and redemption, but as a searching examination of desire, power, and the cost of absolute conviction. It is an opera that resists easy answers, inviting the audience to sit with ambiguity and reflect on who is truly changed when one life is reshaped by another.

Bold, intimate, and brought to life on a scale Opera Idaho has never presented before, Thaïs offers an unforgettable evening of music and drama—one that lingers long after the curtain falls.

From the Director

I first heard Thaïs’s aria, “Dis-moi que je suis belle,” when a classmate brought it to class in school, and I was hooked. I loved seeing the rawness of a character who is so cultivated and still so vulnerable, and fell in love with the sophisticated opera that portrayed, without any judgment, people who are not morally straightforward, but also believed in the romance of their individual perspectives. I love this swirling, colorful score and the worlds it transports me into, and I’m so excited to get to spend a month immersed in it in Boise. As an artist who works as both a singer and a director, I’m even more excited to hear it come to life through voices this spectacular and a theatre that seems built for this show.

– Julia Mintzer

Artists

Amy Shoremount-Obra
Thaïs

Daniel Scofield
Athanaël

Cody Laun
Nicias

Darrell J. Jordan
Palemon

Michele Detwiler
Albine

BrieAnne Welch
Charmeuse

Jordan Bowman
Myrtale

Christina Mancheni
Crobyle

Benjamin Boskoff
Serviteur

Julia Mintzer
Stage Director

Andy Anderson
Music Director

James Haycock, Scenic Designer
Keri Fitch, Costume Designer
Danyale Cook, Hair/Makeup Designer
David Goodman-Edberg, Lighting Designer
Anthony Colombo, Production Director
Jen Gorman, Assistant Director/Intimacy Director
Ashley Baker, Choreographer
Garrett Anderson, Pas de deaux Choreographer
Nico Hewitt, Technical Director
Brook Shafer, Production Manager
Alan Stogin, Stage Manager 
Carlyn Jones, Assistant Stage Manager
Rachael Fry, Props Master
Betsi Hodges, Staff Pianist
Kelly Kaye, Chorus Master/Titles Operator
Melanie Keller, Orchestra Personnel Manager

Enhance Your Experience

OPERA HAPPY HOUR

Monday, March 9 • 5:00 pm
Diablo and Sons Saloon
Free, but space is limited

In partnership with Just Eat Local, enjoy a fun, relaxed mixer with fellow opera lovers, pop-up performances, and a behind-the-scenes conversation with the designers and directors of our upcoming production of Thaïs.

Operatini: Thaïs
OPERATINI

Thursday, March 19 • 5:00 or 8:00 pm
The Sapphire Room
Tickets $49.64 & $62.36

Spend the evening with the cast of Thaïs as they perform some of their favorite arias and unexpected gems! It’s an intimate and up-close musical experience while you enjoy a cocktail and included Mediterranean buffet.

PRE-PERFORMANCE DINNER

Friday, March 27 · 4:00 pm
The Cellar at Red Feather Lounge
Tickets: $130.00

Indulge in a chef-curated three-course meal with light appetizers and wine pairings, and mingle with fellow opera lovers, board members, and a surprise guest or two. Includes VIP parking for the performance only.

CENTER STAGE WITH STACEY

Friday, March 27 & Sunday, March 29
The Egyptian Theatre
Included with your ticket to Thaïs

Join us one hour before showtime for a special 30-minute pre-performance talk where you’ll explore the music, storylines, and characters to enrich your experience of Thaïs.

Synopsis

(spoilers)

ACT I
Alexandria and the Thebaid desert in Egypt, fourth century C.E. At a Cenobite settlement, Athanaël, a monk, returns from Alexandria with news that the city is in a state of sin. The people are besotted by Thaïs, a courtesan and actress, whose performances are causing a sensation. Athanaël admits to his fellow monks that once, in his youth, he fell under her spell. Now he considers her behavior an affront to God and is determined to convert her to a Christian life. Palémon reminds him that it is against his vows to interfere with the secular world, but after dreaming of Thaïs, Athanaël defiantly returns to Alexandria to save her soul.

Athanaël goes to the house of his old school friend Nicias, now a leading Alexandrian of extreme wealth. Nicias is skeptical of Athanaël’s chances in converting Thaïs but offers to introduce him. She is, after all, his current lover—a service he purchased at a great price but which he cannot afford to renew. That night, at the farewell party, a very public confrontation occurs between the two adversaries. Thaïs rejects Athanaël’s impertinent demands that she change her way of life and warns him against suppressing his human nature. He vows to continue his campaign for her soul. She dares him to do so and submits him to a humiliating ceremony in the name of Venus.

ACT II
Alone in her bedroom, Thaïs wearily considers the worthlessness of her life and seeks assurance both from her mirror and from Venus that her beauty will be eternal. Athanaël visits her unannounced. Her routine seduction has no apparent effect on him, but when he claims that the love he offers her will bring eternity, it resonates with her. The voice of Nicias outside reminds her of the nature of her current life. She sends Athanaël to dismiss Nicias, but, left alone, she collapses in perplexity and fear.

Athanaël waits outside for Thaïs’s decision. In due course, she appears with the news that she has made up her mind to follow him. Athanaël is overjoyed but makes it clear that the road will be hard. He demands that she destroy her home and everything in it. As they are making plans, Nicias brings a happy crowd to her door in the hope of reclaiming her for the night’s revels, but all hope of that vanishes when she and Athanaël appear at the threshold of the burning house. The citizens try violently to keep their idol, but when her determination becomes clear to Nicias, he helps Thaïs and Athanaël escape the angry crowd.

ACT III
Thaïs and Athanaël are in the desert on their way to the convent of Mother Albine. Thaïs is exhausted and broken, but Athanaël ruthlessly demands that she push on. Only when he sees her bleeding feet does he feel pity. Thaïs thanks him for having brought her to salvation. At the convent the nuns welcome her. When the door closes, Athanaël suddenly realizes what it will mean to him never to see her again.

Athanaël has been back with the Cenobites for three months. In spite of prayer, fasting, and flagellation, he is unable to drive the physical image of Thaïs from his spirit. He attempts to confess to Palémon but even here fails, and Palémon realizes that he is probably lost. That night, Athanaël has a violently erotic dream of Thaïs, and voices tell him she is dying. He decides to return to the convent to steal her away from God.

After three months of penance, Thaïs is at the end of her strength and rests in the convent garden. Her virtue and purity have been such that the nuns have already declared her a saint. Athanaël arrives too late. Thaïs is already out of his grasp as she dies in a vision of angels.

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