September 27, 7:30pm
September 29, 2:30pm

The Egyptian Theatre

Music by Jules Massenet

Libretto by Henri Meilhac and Philippe Gille

Based on the 1731 novel L’histoire du chevalier des Grieux et de Manon Lescaut by Abbé Prévost

Opera Idaho favorite Cecilia Violetta López stars in the title role of Jules Massenet’s romantic opera, one of the great tragic tales in literature and music. López is the perfect diva to bring to life Manon’s story – a story about an innocent country girl who became a celebrated courtesan and ends up a destitute prisoner – as she returns to Opera Idaho for the fifth time in recent years (Maria in West Side Story in Concert, 2018; Adina in L’elisir d’amore, 2017; Violetta in La traviata, 2016; and, Gilda in Rigoletto, 2014). In the 2018/19 season Cecilia made debuts at Minnesota Opera and Colorado Opera, both as Violetta, and Opera Omaha (Marguerite in Faust), and she returned to Virginia Opera as Adina. In 2017 Cecilia was awarded an Idaho State Concurrent Resolution honoring her life as an Idahoan and her work in the field of opera, and last fall she sang at the re-opening of the Idaho State Museum.

The opera is the second Massenet opera to be staged at Opera Idaho, following a well-received Werther (2017). Manon features Opera Idaho debuts by conductor Edwin Outwater and director John de los Santos. Two other cast members return from 2017’s L’elisir d’amore: tenor Thomas Glenn as Des Grieux and baritone Jason Detwiler as Lescaut.


Cecilia Violetta López
Manon Lescaut

Thomas Glenn
Le Chevalier des Grieux

Branch Fields
Le Comte des Grieux

Jason Detwiler

Max Zander
Guillot de Morfontaine

Radames Gil
De Brétigny

Cara Gabrielson

Ashley Armstrong

Michele Detwiler

John de los Santos
Stage Director

Edwin Outwater


The noblemen de Brétigny and Guillot de Morfontaine are having dinner with three young women—Poussette, Javotte, and Rosette—at an inn in Amiens, north of Paris. People gather for the arrival of the coach to Paris, among them Lescaut. He is waiting for his young cousin Manon, who is on her way to enter a convent. The coach arrives and Manon expresses her exuberant joy about her first journey away from home. Enchanted by her, Guillot offers to take Manon to Paris, but she and his companions laugh at him. Lescaut reproaches Manon for her behavior, which could shame their family. Manon gazes with envy at the elegant clothes of the other girls. The young Chevalier des Grieux arrives too late to catch the coach, which has already left for Paris. He falls in love with Manon at first sight, and when she tells him that it is her fondness for pleasure that has led her family to send her to a convent, he is determined to rescue her from such a fate. They escape together in Guillot’s coach. The returning Lescaut furiously accuses Guillot of having kidnapped his cousin, but then learns from the innkeeper that Manon went off with a young man. Guillot, mocked by everyone, swears revenge on the eloping couple.

In their apartment in Paris, des Grieux writes to his father for permission to marry Manon. The maid announces visitors: Lescaut and another man, who, she warns Manon, is de Brétigny in disguise. Lescaut, using the argument of family honor offended, berates des Grieux for having abducted Manon. In fact he is trying to profit by setting her up with de Brétigny. Des Grieux, to prove his honorable intentions, produces his letter. Meanwhile, de Brétigny tells Manon that des Grieux’s father is planning to kidnap his own son that evening; if she does nothing to prevent it and instead comes to live with de Brétigny, she can have wealth and luxury. After Lescaut and de Brétigny have left, des Grieux goes out to post his letter. Manon realizes she is unable to resist de Brétigny’s offer and bids farewell to her life with des Grieux. Des Grieux returns to find her weeping, but she will not tell him why. He talks of his dream of an idyllic future together in the country. When there’s a knock on the door Manon begs him not to answer it, but he goes. Looking out the window, she sees him being abducted.

On a public holiday, a crowd has gathered at the Cours-la-Reine. Manon, now living with de Brétigny and the toast of Paris, praises the pleasures of her luxurious existence. Overhearing a conversation between de Brétigny and the Count des Grieux, she learns that the count’s son, following an unhappy love affair, is about to become a priest and will preach later that day at the seminary of St. Sulpice. Manon doesn’t believe that des Grieux could have forgotten her and leaves the festivities to find him.

At St. Sulpice, des Grieux has attracted much admiration for his sermon. The count tries to dissuade his son from entering the priesthood in favor of marriage. Des Grieux is adamant but realizes that he can’t forget Manon. When she appears he angrily confronts her. She admits her guilt but begs him to forgive her and to remember their past love. Des Grieux yields to his feelings and renounces his vows.

Gamblers are gathered at the Hôtel de Transylvanie, among them Guillot and Lescaut. Manon and des Grieux arrive, and she reminds him that his fortune has nearly run out. He accepts Guillot’s challenge to play. Manon, Poussette, Javotte, and Rosette consider what money might bring them. Des Grieux wins heavily and Guillot accuses him of cheating, threatening to inform the count. The police arrive and des Grieux is arrested. The count assures his son that he will be released soon. Manon, as his accomplice, is taken away to prison.

Des Grieux and Lescaut have come up with a plan to rescue Manon, who has been sentenced to deportation to America, but their paid accomplices have deserted them. On the road to the port of Le Havre, Lescaut manages to bribe the guards and leaves Manon and des Grieux alone together. Ill and exhausted, she begs des Grieux to forgive her for the shame she has brought him. While she recalls their past, he only thinks of their future together. But the rescue has come too late. As des Grieux assures her of his forgiveness and love, Manon dies in his arms.